Nice Create Your Own Song photos

A few nice create your own song images I found:

November 24th 2008 – Graffiti
create your own song

Image by Stephen Poff
Explored! #12

SEE IT LARGE!

First of all, if you’d like to know how to do something like this (this was done all in camera in one shot), then head over to YouTube and see THIS VIDEO that I made explaining the process.

When I was a kid some people in our town liked to tag the overpass or a blank wall at our high school or what not… just like every other town I suppose. I guess they just wanted to leave their mark somewhere… cause it was the only recognition that they were probably going to receive either now or later.

I knew the feeling. At an early age I felt very aware of my mortality and really wanted to leave something of myself behind to remind people that I was here. So I would draw, paint, write stories and later on I would end up writing and recording songs. But it didn’t stop there. I continued by creating websites, designing posters, working as a graphic artist for several magazines and a newspaper, I wrote and directed a feature film which later led me to where I am today as a directer/producer for broadcast television.

But around the age of 15 or so, I became interested in pirate radio. I wanted so badly to have a venue to just say what I wanted when I wanted and to have people tune in and be interested. But for many reasons including lack of funds and of course the fear of getting caught, I never got past a very low power transmitter that only seemed to be heard over our neighbors cordless phone (I was seriously messing up her signal).

But then came the internet and then eventually the podcast and it’s changed everything. For absolutely nothing you can record your own show and have if fed to millions of subscribers to say virtually anything I wanted. So I decided at the beginning of this year that I wanted to talk about my interests in photography and the 365 Days Project. I’d have a weekly show for the entire year and it would really be the answer to my long lost passion… and it would be legal!

I asked a friend (Mav) if he’d like to co-host and he of course said yes and it went SOOO well… until about July. Now we’ve only had a couple of shows since then and I really feel like I’ve disappointed people. I just feel like I’m burnt out and that… well… I have nothing left to say.

I plan to do at least a couple more shows before the years up, and hopefully Mav is up for it. But to those who were loyal fans of the show I just want to say that I’m sorry and that I hope that they months that you did follow the show were worth it. I met a lot of friends and got to see a lot of great photos and I know it was worth it to me. I feel like I might want to do some sort of audio podcast after the new year. But I’m not sure what it will be about.

But anyways, I guess I have left a few things behind for people to remember me by… I just hope it’s not a mountain of useless crap… the equivalent to a bunch of McDonald’s toys.

So two cool things happened today. I got my new Cactus triggers that I ordered a week ago (my old one was falling apart) so now I can use my Vivitar flash that I got few weeks ago and I was told that I needed to take some vacation before I lost it. I knew I was booked for the next two weeks so I needed to take it this week instead. So I’m sleepin’ in!

Strobist info: Canon 430ex behind me at camera left and a Vivitar 285hv with an orange gel behind me at camera right.

Again, Check out this video that I made describing how to do this.

It’s part of the Pocket Wizard Strobist contest and I could really use the prize of a couple of Pocket Wizards! Also, please rate it and leave a comment if you don’t mind ;-) . Thanks!

Eisley @ The Granada Theater in Dallas
create your own song

Image by @giovanni
Eisley is a rock band from Tyler, Texas, consisting of four siblings (Chauntelle, Sherri, Stacy, and Weston DuPree) and their cousin (Garron DuPree), all of whom were born and live in Texas. Although the band’s name translates to ice island in several Germanic languages, it was actually selected by the bandmates because of its link to the Star Wars saga (i.e. Mos Eisley).

The band was formed in 1997 when Chauntelle and Sherri began creating music together after having been inspired by bands like the Beatles, Jeremy Enigk, and Radiohead. Younger sister Stacy (who was then 8 years old) became frustrated over their insistence that she was too young to be a part of the band and wrote her own song without their help before she was inducted. Their brother Weston (who was then 10 years old) soon joined the band as the drummer. Jonathan Wilson, a family friend, was brought on to play bass.

In February 2011, Eisley went on tour as main support for Rooney. On this tour, the band debuted several more new songs in anticipation for "The Valley". A week before release, the band streamed the full album on Spin.com. Finally on March 1, The Valley was released.
The Valley was met with generally positive reviews. Sputnikmusic and, to the band’s surprise, Absolute Punk both gave the album a rating of 90, commenting on the band’s vocal style and the instrumentation being different from previous albums. All Music Guide, Alternative Press, and The Onion A.V. club also praised the album as well. However, Under The Radar had mixed reviews, but commented on the tunes being enjoyable as well as the Dupree sister’s voices being thrilling. The Austin Chronicle gave the album a negative review, criticizing the album’s focus to love and broken relationships as opposed to the whimsical style and fantastical imagery found on the bands 2005 debut "Room Noises" and the EPs before.

All trademarks are the property of their respective owners. All photos provided with a creative commons share-alike license. Use freely for commercial or non-profit use but give attribution to "giovanni gallucci" and link to www.LiveLoudTexas.com – You are responsible for securing any other rights required to reproduce these images for your own use. ..Live.Loud.Texas on twitter: twitter.com/LiveLoudTexas

Live.Loud.Texas on facebook: facebook.com/LiveLoudTexas..The full set of these pics can be found at flickr.com/LiveLoudTX

(cc) 1996 – 2011 giovanni gallucci

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The Last Song is definitely an upcoming 2010 American coming-of-age drama movie produced alongside the Nicholas Sparks novel by the similar name. The movie was directed by Julie Anne Robinson in her function movie directorial debut and co-written by Sparks and Jeff Van Wie. The Last Song stars Miley Cyrus, Greg Kinnear, Kelly Preston and Liam Hemsworth and follows a troubled teenager as she reconnects with her estranged father and falls in adore in the course of a summer in the quiet Southern seaside town. The movie would be distributed by Touchstone Pictures, an choice movie label within the Walt Disney Firm.

Sparks was approached to write both the film’s screenplay plus the novel. Sparks completed the screenplay in January 2009, prior on the completion of a novel, creating The Last Song his 1st script to get optioned for movie. The setting, at first North Carolina just like the novel, changed to Georgia following states campaigned for months to host manufacturing. Upon beginning manufacturing in Tybee Island, Georgia and nearby Savannah, The Last Song became the 1st film for being shot and set in Tybee Island. Filming lasted from June 15 to August 18, 2009 with significantly of it occurring around the island’s seaside and pier. The Last Song was at first scheduled for broad release on January 8, 2010, but has considering that been postponed to March 31, 2010.

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Find More Create Your Own Song Articles

The Song is EVERYTHING!

So what does it take to create a marketable song? Well, the answer to this question is of course subjective and can be debated all day (and night!) long. HOWEVER, I can tell you a few things based on my experience that have really helped me. I’ve had some success in the licensing and publishing department, and I think I know why I’ve been successful.

In short (very short), keep it original and catchy! I’ll take it a few steps further and break it down into a few categories, such as, length, structure, melody and lyrics.

First off is the length of the song. You do not want a song that is too long! People will grow VERY tired of it, and quickly! Anything over four minutes is too long. I know you are saying, “But what about Iron Butterfly or Led Zepplin’ yada, yada?” Yes, there are always exceptions, but stick to these rules and you are much more likely to have something worth listening to and is more likely to be licensed and/or published.:)

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Also, you want to be coming into the chorus at about 45 seconds. This keeps listeners interested at the beginning of the song. First verse, then very quickly comes the chorus. None of those minute long intros that keep the listener waiting on the singer to begin.

Now, the structure of the song should be quite simple. Matter of fact, it should be like most that you hear on the radio: a verse, then a chorus, then a verse, then a chorus, then a bridge (where the song changes) and then another chorus. Basically, that’s it!

Sometimes songs have a third verse then a chorus and even variations with an outro, but for the most part, just stick with the structure above and you’ll be fine. And remember, your choruses are different dynamically than your verses and should sound distinctively different. The verse should build into the chorus.

So with a little practice, creativity, time and following these simple little rules, you can be on your way to writing some great commercial songs. Good luck!

Elvis Jackson is the owner of WriteaHitSongNow.com.
Check out his website for more information on songwriting, music and to download
a free beer.


Article from articlesbase.com

Nice Create Your Own Song photos

Some cool create your own song images:

Dark side of the moon
create your own song

Image by xJorgiimx
The Dark Side Of The Moon
Pink Floyd

Breathe
Breathe, breathe in the air.
Don’t be afraid to care.
Leave but don’t leave me.
Look around and choose your own ground.

Long you live and high you fly
And smiles you’ll give and tears you’ll cry
And all you touch and all you see
Is all your life will ever be.

Run, rabbit run.
Dig that hole, forget the sun,
And when at last the work is done
Don’t sit down it’s time to dig another one.

For long you live and high you fly
But only if you ride the tide
And balanced on the biggest wave
You race towards an early grave.

On The Run
[female announcer, announcing flights at airport]
"Live for today, gone tomorrow, that’s me, HaHaHaaaaaa!"

Time/Breathe Reprise
Ticking away the moments that make up a dull day
You fritter and waste the hours in an offhand way.
Kicking around on a piece of ground in your home town
Waiting for soemone or something to show you the way.

Tired of lying in the sunshine staying home to watch the rain.
You are young and life is long and there is time to kill today.
And then one day you find ten years have got behind you.
No one told you when to run, you missed the starting gun.

So you run and you run to catch up with the sun but it’ssinking
Racing around to come up behind you again.
The sun is the same in a relative way but you’re older,
Shorter of breath and one day closer to death.

Every year is getting shorter never seem to find the time.
Plans that either come to nought or half a page of scribbledlines
Hanging on in quiet desparation is the English way
The time is gone, the song is over,
Thought I’d something more to say.

Breath Reprise
Home, home again.
I like to be here when I can.
When I come home cold and tired
It’s good to warm my bones beside the fire.
Far away across the field
The tolling of the iron bell
Calls the faithful to their knees
To hear the softly spoken magic spells.

The Great Gig in the Sky
"And I am not frightened of dying, any time will do, I
don’t mind. Why should I be frightened of dying?
There’s no reason for it, you’ve gotta go sometime."

"I never said I was frightened of dying."

Money
Money, get away.
Get a good job with good pay and you’re okay.
Money, it’s a gas.
Grab that cash with both hands and make a stash.
New car, caviar, four star daydream,
Think I’ll buy me a football team.

Money, get back.
I’m all right Jack keep your hands off of my stack.
Money, it’s a hit.
Don’t give me that do goody good bullshit.
I’m in the high-fidelity first class travelling set
And I think I need a Lear jet.

Money, it’s a crime.
Share it fairly but don’t take a slice of my pie.
Money, so they say
Is the root of all evil today.
But if you ask for a raise it’s no surprise that they’re
giving none away.

"HuHuh! I was in the right!"
"Yes, absolutely in the right!"
"I certainly was in the right!"
"You was definitely in the right. That geezer was cruising for abruising!"
"Yeah!"
"Why does anyone do anything?"
"I don’t know, I was really drunk at the time!"
"I was just telling him, he couldn’t get into number 2. He wasasking
why he wasn’t coming up on freely, after I was yelling and
screaming and telling him why he wasn’t coming up on freely.
It came as a heavy blow, but we sorted the matter out"

Us and Them
Us, and them
And after all we’re only ordinary men.
Me, and you.
God only knows it’s noz what we would choose to do.
Forward he cried from the rear
and the front rank died.
And the general sat and the lines on the map
moved from side to side.
Black and blue
And who knows which is which and who is who.
Up and down.
But in the end it’s only round and round.
Haven’t you heard it’s a battle of words
The poster bearer cried.
Listen son, said the man with the gun
There’s room for you inside.

"I mean, they’re not gunna kill ya, so if you give ‘em a quickshort,
sharp, shock, they won’t do it again. Dig it? I mean he get off
lightly, ‘cos I would’ve given him a thrashing – I only hit himonce!
It was only a difference of opinion, but really…I mean goodmannersdon’t cost nothing do they, eh?"

Down and out
It can’t be helped but there’s a lot of it about.
With, without.
And who’ll deny it’s what the fighting’s all about?
Out of the way, it’s a busy day
I’ve got things on my mind.
For the want of the price of tea and a slice
The old man died.

Any Colour You Like

Brain Damage
The lunatic is on the grass.
The lunatic is on the grass.
Remembering games and daisy chains and laughs.
Got to keep the loonies on the path.

The lunatic is in the hall.
The lunatics are in my hall.
The paper holds their folded faces to the floor
And every day the paper boy brings more.

And if the dam breaks open many years too soon
And if there is no room upon the hill
And if your head explodes with dark forebodings too
I’ll see you on the dark side of the moon.

The lunatic is in my head.
The lunatic is in my head
You raise the blade, you make the change
You re-arrange me ’till I’m sane.

You lock the door
And throw away the key
There’s someone in my head but it’s not me.
And if the cloud bursts, thunder in your ear
You shout and no one seems to hear.
And if the band you’re in starts playing different tunes
I’ll see you on the dark side of the moon.

"I can’t think of anything to say except…"
"I think it’s marvellous! HaHaHa!"

Eclipse
All that you touch
All that you see
All that you taste
All you feel.
All that you love
All that you hate
All you distrust
All you save.
All that you give
All that you deal
All that you buy,
beg, borrow or steal.
All you create
All you destroy
All that you do
All that you say.
All that you eat
everyone you meet
All that you slight
everyone you fight.
All that is now
All that is gone
All that’s to come
and everything under the sun is in tune
but the sun is eclipsed by the moon.

"There is no dark side of the moon really. Matter of fact it’sall dark."

Joan of Arc
create your own song

Image by dbking
Joan of Arc on the upper park at Meridian Hill (Malcolm X) Park

Joan of Arc, or Jeanne d’Arc (1412–30 May 1431) is a national heroine of France and a saint of the Catholic Church. She stated that she had visions, which she believed came from God, and she used these to inspire Charles VII’s troops to retake most of his dynasty’s former territories which had been under English and Burgundian dominance during the Hundred Years’ War.

She had been sent to the siege of Orléans by the then-uncrowned King Charles VII as part of a relief mission. She gained prominence when she overcame the disregard of veteran commanders and ended the siege in only nine days. Several more swift victories led to Charles VII’s coronation at Reims and settled the disputed succession to the throne.

The renewed confidence of Charles VII’s forces outlasted Joan of Arc’s own brief career. She refused to leave the field when she was wounded during an attempt to recapture Paris that autumn. Hampered by court intrigues, she led only minor companies from then on, and fell prisoner during a skirmish near Compiègne the following spring. A politically motivated trial by the English convicted her of heresy. The English regent, John, Duke of Bedford, had her burnt at the stake in Rouen. She had become the leader of her faction at the age of seventeen, but died at the age of nineteen. Some twenty-four years later, Joan’s aged mother, Isabelle, convinced the Inquisitor-General and Pope Callixtus III to reopen Joan’s case, resulting in an appeal which overturned the original conviction by the English. Pope Benedict XV canonized her on 16 May 1920.

Joan of Arc has remained an important figure in Western culture. From Napoleon to the present, French politicians of all leanings have invoked her memory. Major writers and composers, including Shakespeare, Voltaire, Schiller, Verdi, Tchaikovsky, Twain, Shaw, and Brecht, have created works about her, and depictions of her continue to be prevalent in film, television, and song.

The period that preceded Joan of Arc’s career was one of the lowest points in French history. The prolonged war had produced much suffering among the population. Much of the northern portion of the kingdom was controlled by English troops, and there was a likely possibility that France would be joined with England as a "Dual Monarchy" under an English king. The French king at the time of Joan’s birth, Charles VI, suffered bouts of insanity and was often unable to rule. Two of the king’s relatives, Dukes John the Fearless of Burgundy and Louis of Orléans, quarreled over the regency of France and the guardianship of the royal children. The dispute escalated to accusations of an extramarital affair with Queen Isabeau of Bavaria and kidnappings of the royal children, and culminated when John the Fearless ordered the assassination of Louis in 1407. The factions loyal to these two men became known as the Armagnacs and the Burgundians. The English king, Henry V, took advantage of this turmoil and invaded France, won a dramatic victory at Agincourt in 1415, and proceeded to capture northern French towns. The future French king, Charles VII, assumed the title of dauphin as heir to the throne at the age of fourteen, after all four of his older brothers had died. His first significant official act was to conclude a peace treaty with John the Fearless in 1419. This ended in disaster when Armagnac partisans murdered John the Fearless during a meeting under Charles’s guarantee of protection. The new duke of Burgundy, Philip the Good, blamed Charles and entered an alliance with the English. Large sections of France fell to conquest.

In 1420, Queen Isabeau of Bavaria concluded the Treaty of Troyes, which granted the royal succession to Henry V and his heirs in preference to her son Charles. This agreement revived rumors about her supposed affair with the late duke of Orléans and raised fresh suspicions that the dauphin was a royal bastard rather than the son of the king. Henry V and Charles VI died within two months of each other in 1422, leaving an infant, Henry VI of England, the nominal monarch of both kingdoms. Henry V’s brother John of Lancaster, the duke of Bedford, acted as regent.

By 1429, nearly all of northern France, and some parts of the southwest, were under foreign control. The English ruled Paris and the Burgundians ruled Reims. The latter city was important as the traditional site of French coronations and consecrations, especially since neither claimant to the throne of France had been crowned. The English had laid siege to Orléans, a city situated at a strategic location along the Loire River which made it the last major obstacle to an assault on the remaining French heartland. In the words of one modern historian, "On the fate of Orléans hung that of the entire kingdom. No one was optimistic that the city could long withstand the siege.

Joan of Arc was born in the village of Domrémy in 1412 to Jacques d’Arc and Isabelle Romée. Her parents owned about 50 acres of land and her father supplemented his farming work with a minor position as a village official, collecting taxes and heading the town watch. They lived in an isolated patch of northeastern territory that remained loyal to the French crown despite being surrounded by Burgundian lands. Several raids occurred during Joan of Arc’s childhood, and on one occasion her village was burned.

Joan later testified that she experienced her first vision around 1424. She would report that St. Michael, St. Catherine, and St. Margaret told her to drive out the English and bring the dauphin to Reims for his coronation. At the age of sixteen she asked a kinsman, Durand Lassois, to bring her to nearby Vaucouleurs, where she petitioned the garrison commander, Count Robert de Baudricourt, for permission to visit the royal French court at Chinon. Baudricourt’s sarcastic response did not deter her. She returned the following January and gained support from two men of standing: Jean de Metz and Bertrand de Poulegny. Under their auspices she gained a second interview, where she made an apparently miraculous prediction about a military reversal near Orléans.

She preferred to carry her standard into battle. Witnesses also reported her holding a sword, lance, or axe.Baudricourt granted her an escort to visit Chinon after news from the front confirmed her prediction. She made the journey through hostile Burgundian territory in male disguise. Upon arriving at the royal court, she impressed Charles VII during a private conference. He then ordered background inquiries and a theological examination at Poitiers to verify her morality. During this time, Charles’s mother-in-law, Yolande of Aragon, was financing a relief expedition to Orléans. Joan of Arc petitioned for permission to travel with the army and wear the equipment of a knight. Because she had no funds of her own, she depended on donations for her armor, horse, sword, banner, and entourage. Historian Stephen W. Richey explains her rise as the only source of hope for a regime that was near collapse.

"After years of one humiliating defeat after another, both the military and civil leadership of France were demoralized and discredited. When the Dauphin Charles granted Joan’s urgent request to be equipped for war and placed at the head of his army, his decision must have been based in large part on the knowledge that every orthodox, every rational, option had been tried and had failed. Only a regime in the final straits of desperation would pay any heed to an illiterate farm girl who claimed that voices from God were instructing her to take charge of her country’s army and lead it to victory.

Joan of Arc arrived at the siege of Orléans on 29 April 1429, but Jean d’Orléans (aka Dunois), the acting head of the Orléans ducal family, initially excluded her from war councils and failed to inform her when the army engaged the enemy. She overcame this by disregarding the veteran commanders’ decisions, appealed to the town’s population, and rode out to each skirmish, where she placed herself at the extreme front line, carrying her banner. The extent of her actual military leadership is a subject of historical debate. The eyewitness accounts say that she often made intelligent suggestions in the field, but that her soldiers and commanders regarded her mainly as a divinely-inspired mystic whose victories were attributed to God. Traditional historians, such as Edouard Perroy, conclude that she was a standard bearer whose primary effect was on morale. This type of analysis usually relies on the condemnation trial testimony, where Joan of Arc stated that she preferred her standard to her sword. Recent scholarship that focuses on the rehabilitation trial testimony more often suggests that her fellow officers esteemed her as a skilled tactician and a successful strategist. Stephen W. Richey asserts that "She proceeded to lead the army in an astounding series of victories that reversed the tide of the war. In either case, historians agree that the army enjoyed remarkable success during her brief career.

Reims cathedral, traditional site of French coronations. The structure had additional spires prior to a 1481 fire.Joan of Arc defied the cautious strategy that had previously characterized French leadership, pursuing vigorous frontal assaults against outlying siege fortifications. After several of these outposts fell, the English abandoned other wooden structures and concentrated their remaining forces at the stone fortress that controlled the bridge, les Tourelles. On 7 May, the French assaulted the Tourelles. Contemporaries acknowledged Joan as the leader of the engagement, during which at one point she pulled an arrow from her own shoulder and returned, still wounded, to lead the final charge.

The sudden victory at Orléans led to many proposals for offensive action. The English expected an attempt to recapture Paris or an attack on Normandy; Dunois later said that this in fact had originally been the plan, until Joan convinced them to proceed instead to Reims. In the aftermath of the unexpected victory, she persuaded Charles VII to grant her co-command of the army with Duke John II of Alençon, and gained royal permission for her plan to recapture nearby bridges along the Loire as a prelude to an advance on Reims and a coronation. Hers was a bold proposal, because Reims was roughly twice as far away as Paris, and deep in enemy-held territory.

Joan of Arc changed the fortunes of King Charles VII. By the end of his reign, he had regained every English possession in France except for Calais and the Channel Islands. The army recovered Jargeau on 12 June, Meung-sur-Loire on 15 June, then Beaugency on 17 June. The duke of Alençon agreed to all of Joan of Arc’s decisions. Other commanders, including Jean d’Orléans, had been impressed with her performance at Orléans, and became strong supporters of her. Alençon credited Joan for saving his life at Jargeau, where she warned him of an imminent artillery attack. During the same battle, she withstood a blow from a stone to her helmet as she climbed a scaling ladder. An expected English relief force arrived in the area on 18 June, under the command of Sir John Fastolf. The battle at Patay might be compared to Agincourt in reverse: The French vanguard attacked before the English archers could finish defensive preparations. A rout ensued that decimated the main body of the English army and killed or captured most of its commanders. Fastolf escaped with a small band of soldiers and became the scapegoat for the English humiliation. The French suffered minimal losses.

The French army set out for Reims from Gien-sur-Loire on 29 June, and accepted the negotiated neutrality of the Burgundian-held city of Auxerre on 3 July. Every other town in their path returned to French allegiance without resistance. Troyes, the site of the treaty that had tried to disinherit Charles VII, capitulated after a nearly bloodless four-day siege. The army was in short supply of food by the time it reached Troyes. Edward Lucie-Smith cites this as an example alleging that Joan of Arc was more blessed than skilled: A wandering friar named Brother Richard had been preaching about the end of the world at Troyes, and had convinced local residents to plant beans, a crop with an early harvest. The hungry army arrived just as the beans ripened.

Reims opened its gates on 16 July. The coronation took place the following morning. Although Joan and the duke of Alençon urged a prompt march on Paris, the royal court pursued a negotiated truce with the duke of Burgundy. Duke Philip the Good broke the agreement, using it as a stalling tactic to reinforce the defense of Paris. The French army marched through towns near Paris during the interim and accepted more peaceful surrenders. The duke of Bedford headed an English force and confronted the French army in a standoff on 15 August. The French assault at Paris ensued on 8 September. Despite a crossbow bolt wound to the leg, Joan of Arc continued directing the troops until the day’s fighting ended. The following morning, she received a royal order to withdraw. Most historians blame French grand chamberlain Georges de la Trémoille for the political blunders that followed the coronation.

.After minor action at La-Charité-sur-Loire in November and December, Joan went to Lagny-sur-Marne the following March, then to Compiègne on May 23rd to defend against an English and Burgundian siege. A skirmish on 23 May 1430 led to her capture. When she ordered a retreat, she assumed the place of honor as the last to leave the field. Burgundians surrounded the rear guard.

It was customary for a war captive’s family to raise ransom money whenever the captor allowed a ransom, which the Burgundians did not allow in this case. Many historians condemn Charles VII for failing to do more to intervene. She attempted several escapes, on one occasion leaping from a seventy foot tower to the soft earth of a dry moat. The English government eventually obtained her from Duke Philip of Burgundy. Bishop Pierre Cauchon of Beauvais, an English partisan and member of the Council which oversaw the English occupation of northern France, assumed a prominent role in these negotiations and her later trial.

Joan’s trial for heresy was politically motivated. The duke of Bedford claimed the throne of France for his nephew Henry VI. She was responsible for the rival coronation. Condemning her was an attempt to discredit her king. Legal proceedings commenced on 9 January 1431 at Rouen, the seat of the English occupation government. The procedure was irregular on a number of points.

To summarize some major problems, the jurisdiction of judge Bishop Cauchon was a legal fiction. He owed his appointment to his partisanship. The English government financed the entire trial. Clerical notary Nicolas Bailly, commissioned to collect testimony against her, could find no adverse evidence. Without this, the court lacked grounds to initiate a trial. Opening one anyway, it denied her right to a legal advisor.

The trial record demonstrates her exceptional intellect. The transcript’s most famous exchange is an exercise in subtlety. "Asked if she knew she was in God’s grace, she answered: ‘If I am not, may God put me there; and if I am, may God so keep me. The question is a scholarly trap. Church doctrine held that no one could be certain of being in God’s grace. If she had answered yes, then she would have convicted herself of heresy. If she had answered no, then she would have confessed her own guilt. Notary Boisguillaume would later testify that at the moment the court heard this reply, "Those who were interrogating her were stupefied" and abruptly halted the questioning for that day. This exchange would become famous, and is incorporated into many modern works on the subject.

Several court functionaries later testified that significant portions of the transcript were altered in her disfavor. Many clerics served under compulsion, including the inquisitor, Jean LeMaitre, and a few even received death threats from the English. Under Inquisitorial guidelines, Joan should have been confined to an ecclesiastical prison under the supervision of female guards (i.e., nuns). Instead, the English kept her in a secular prison guarded by their own soldiers. Bishop Cauchon denied Joan’s appeals to the Council of Basel and the Pope, which should have stopped his proceeding.

The twelve articles of accusation that summarize the court’s finding contradict the already-doctored court record. Illiterate Joan signed an abjuration document she did not understand under threat of immediate execution. The court substituted a different abjuration in the official record.

Heresy was a capital crime only for a repeat offense. Joan agreed to wear women’s clothes when she abjured. A few days later, according to eyewitnesses, she was subjected to an attempted rape in prison by an English lord. She resumed male attire either as a defense against molestation or, in the testimony of Jean Massieu, because her dress had been stolen and she was left with nothing else to wear.

Eyewitnesses described the scene of the execution on 30 May 1431. Tied to a tall pillar, she asked two of the clergy, Martin Ladvenu and Isambart de la Pierre, to hold a crucifix before her. She repeatedly called out "in a loud voice the holy name of Jesus, and implored and invoked without ceasing the aid of the saints of Paradise." After she expired, the English raked back the coals to expose her charred body so that no one could claim she had escaped alive, then burned the body twice more to reduce it to ashes and prevent any collection of relics. They cast her remains into the Seine. The executioner, Geoffroy Therage, later stated that he "…greatly feared to be damned for he had burned a holy woman.

A posthumous retrial opened as the war ended. Pope Callixtus III authorized this proceeding, now known as the "rehabilitation trial", at the request of Inquisitor-General Jean Brehal and Joan of Arc’s mother Isabelle Romée. Investigations started with an inquest by clergyman Guillaume Bouille. Brehal conducted an investigation in 1452. A formal appeal followed in November 1455. The appellate process included clergy from throughout Europe and observed standard court procedure. A panel of theologians analyzed testimony from 115 witnesses. Brehal drew up his final summary in June 1456, which describes Joan as a martyr and implicates the late Pierre Cauchon with heresy for having convicted an innocent woman in pursuit of a secular vendetta. The court declared her innocence on 7 July 1456.

Joan of Arc often wore men’s clothing between her departure from Vaucouleurs and her abjuration at Rouen. This raised theological questions in her own era and raised other questions in the twentieth century. The technical reason for her execution was a Biblical clothing law, but the rehabilitation trial reversed the conviction in part because the condemnation proceeding had failed to consider the doctrinal exceptions to that stricture.

Doctrinally speaking, she was safe to disguise herself as a page during a journey through enemy territory and she was safe to wear armor during battle. The Chronique de la Pucelle states that it deterred molestation while she was camped in the field. Clergy who testified at her rehabilitation trial affirmed that she continued to wear male clothing in prison to deter molestation and rape. Preservation of chastity was another justifiable reason for crossdressing: her apparel would have slowed an assailant. She referred the court to the Poitiers inquiry when questioned on the matter during her condemnation trial. The Poitiers record no longer survives but circumstances indicate the Poitiers clerics approved her practice. In other words, she had a mission to do a man’s work so it was fitting that she dress the part. She also kept her hair cut short through her military campaigns and while in prison. Her supporters, such as the theologian Jean Gerson, defended her hairstyle, as did Inquisitor Brehal during the Rehabilitation trial.

According to Francoise Meltzer, "The depictions of Joan of Arc tell us about the assumptions and gender prejudices of each succeeding era, but they tell us nothing about Joan’s looks in themselves. They can be read, then, as a semiology of gender: how each succeeding culture imagines the figure whose charismatic courage, combined with the blurring of gender roles, makes her difficult to depict.

The neutrality of the following section is disputed.

Joan of Arc’s religious visions have been one of the most heavily analyzed and controversial aspects of her life, attracting interest from theologians and psychologists alike. Whether Joan of Arc herself believed that her visions were from God is rarely disputed; based on her martyrdom and other biographical details, her religious faith is widely judged to have been sincere. She identified St. Margaret, St. Catherine, and St. Michael as the source of her revelations, although, as several saints have been canonized under each of these names, there is some ambiguity as to which of the identically-named saints she was referring to. Devout Roman Catholics regard her visions as divinely inspired. Those who suggest medical or psychiatric explanations for Joan of Arc’s visions typically posit hallucinations, mental illness, or self-delusion. Most scholars who propose such explanations for the visions, such as paranoid schizophrenia, consider Joan a figurehead more than an active leader. Among other hypothesized conditions are a handful of neurological conditions that can cause complex hallucinations, such as temporal lobe epilepsy. Ralph Hoffman, professor of psychology at Yale University, states that "hearing voices is not necessarily a sign of mental illness," and names Joan of Arc’s religious inspiration as a possible exception without speculation as to alternative causes.

Psychiatric explanations have encountered some objections. One is the slim likelihood that a mentally ill person could gain favor in the court of Charles VII. This king’s own father, Charles VI of France, had been popularly known as "Charles the Mad", and much of the political and military decline that had occurred in France during the previous decades could be attributed to the power vacuum that his episodes of insanity had produced. The old king had believed he was made of glass, a delusion no courtier had mistaken for a religious awakening. Fears that Charles VII would manifest the same insanity may have factored into the attempt to disinherit him at Troyes. As royal counselor, Jacques Gélu cautioned upon Joan of Arc’s arrival at Chinon, "One should not lightly alter any policy because of conversation with a girl, a peasant… so susceptible to illusions; one should not make oneself ridiculous in the sight of foreign nations…." Contrary to modern stereotypes about the Middle Ages, this particular royal court was shrewd and skeptical on the subject of mental health.

I t has also been argued that reports of Joan of Arc’s intelligence conflict with the possibility of mental illness. Joan of Arc remained astute to the end of her life, and rehabilitation trial testimony frequently marvels at her intelligence. "Often they [the judges] turned from one question to another, changing about, but, notwithstanding this, she answered prudently, and evinced a wonderful memory. Her subtle replies under interrogation even forced the court to stop holding public sessions. However, although intellectual decline and chronic memory loss are listed among the potential prodromes of several major mental illnesses, the apparent lack of these two symptoms does not, by itself, rule out the possibility of mental illness. It does, however, represent a lack of some of the identifiable symptoms that modern medical diagnostic manuals consider necessary for a positive diagnosis. Some scholars, such as Judy Grundy, have likewise pointed out that, based on the eyewitness accounts, other potential outward symptoms of such disorders, such as marked changes in personality and confused speech, were also absent in Joan’s case. Those who argue the opposite position consider the visions themselves to be proof of mental illness, usually based on one or more of the following propositions: 1) it is assumed that God would not order someone to wage war, or at least would not promote warfare against the English, therefore Joan must have been subject to hallucinations rather than Divine communication. Since this is an unproven assumption about the nature of God, the medical community would not normally use it as the basis for a diagnosis of mental illness. 2) It is assumed that science rejects the existence of God, therefore any such visions must be hallucinations, therefore she was mentally ill. This view also has its critics: since 40% of modern scientists say they do believe in God’s existence, the scientific community would seem to be divided on that issue. Additionally, the medical community does not automatically consider all mystics to be mentally ill, and generally does not consider the above type of argument to be valid grounds for a diagnosis: since the issue of possible mental illness in Joan of Arc’s case concerns the question of whether her visions were hallucinations, if one wishes to include these visions themselves as two symptoms of mental illness (i.e., "hallucinations" and "delusions"), then one would need to prove that these were in fact hallucinations and delusions rather than merely assuming them to be such and then using that assumption as evidence proving the assumption itself. To qualify as a valid diagnosis, evidence would need to be provided to support the proposition.

The only detailed source of information about Joan of Arc’s visions is the condemnation trial transcript, a complex and problematic document in which she resisted the court’s inquiries and refused to swear the customary oath on the subject of her revelations. Régine Pernoud, a prominent historian, was sometimes sarcastic about speculative medical interpretations: in response to one such theory alleging that Joan of Arc suffered from bovine tuberculosis as a result of drinking unpasteurized milk, Pernoud wrote that if drinking unpasteurized milk can produce such potential benefits for the nation, then the French government should stop mandating the pasteurization of milk.

The Prayer to St. Joan of Arc for Strength:
In the face of your enemies, in the face of harassment, ridicule, and doubt, you held firm in your faith. Even in your abandonment, alone and without friends, you held firm in your faith. Even as you faced your own mortality, you held firm in your faith. I pray that I may be as bold in my beliefs as you, St. Joan. I ask that you ride alongside me in my own battles. Help me be mindful that what is worthwhile can be won when I persist. Help me hold firm in my faith. Help me believe in my ability to act well and wisely. Amen.

Joan of Arc became a semi-legendary figure for the next four centuries. The main sources of information about her were chronicles. Five original manuscripts of her condemnation trial surfaced in old archives during the nineteenth century. Soon historians also located the complete records of her rehabilitation trial, which contained sworn testimony from 115 witnesses, and the original French notes for the Latin condemnation trial transcript. Various contemporary letters also emerged, three of which carry the signature "Jehanne" in the unsteady hand of a person learning to write. This unusual wealth of primary source material is one reason DeVries declares, "No person of the Middle Ages, male or female, has been the subject of more study than Joan of Arc.

"The people who came after her in the five centuries since her death tried to make everything of her: demonic fanatic, spiritual mystic, naive and tragically ill-used tool of the powerful, creator and icon of modern popular nationalism, adored saint. She insisted, even when threatened with torture and faced with death by fire, that she was guided by voices from God. Voices or no voices, her achievements leave anyone who knows her story shaking his head in amazed wonder.
In 1452, during the postwar investigation into her execution, the Church declared that a religious play in her honor at Orléans would qualify as a pilgrimage meriting an indulgence. Joan of Arc became a symbol of the Catholic League during the 16th century. Félix Dupanloup, bishop of Orléans from 1849 to 1878, led the effort for Joan’s eventual beatification in 1909. Her canonization followed on 16 May 1920. Her feast day is 30 May. She has become one of the most popular saints of the Roman Catholic Church.

The French Resistance used the cross of Lorraine as a symbolic reference to Joan of Arc.Joan of Arc has been a political symbol in France since the time of Napoleon. Liberals emphasized her humble origins. Early conservatives stressed her support of the monarchy. Later conservatives recalled her nationalism. During World War II, both the Vichy Regime and the French Resistance used her image: Vichy propaganda remembered her campaign against the English with posters that showed British warplanes bombing Rouen and the ominous caption: "They Always Return to the Scene of Their Crimes." The resistance emphasized her fight against foreign occupation and her origins in the province of Lorraine, which had fallen under Nazi control.

Traditional Catholics, especially in France, also use her as a symbol of inspiration, often comparing the 1988 excommunication of Archbishop Marcel Lefebvre (founder of the Society of St. Pius X and a dissident against the Vatican II reforms) to Joan of Arc’s excommunication. Three separate vessels of the French Navy have been named after Joan of Arc, including a helicopter carrier currently in active service. At present the controversial French political party Front National holds rallies at her statues, reproduces her likeness in party publications, and uses a tricolor flame partly symbolic of her martyrdom as its emblem. This party’s opponents sometimes satirize its appropriation of her image. The French civic holiday in her honor is the second Sunday of May.

T-Pain feat. Rick Ross – “Rap Song” [OFFICIAL MUSIC VIDEO]

Follow T-Pain on twitter @ twitter.com & on Facebook @ www.facebook.com Get RAP SONG now on iTunes @ bit.ly T-Pain’s official music video for his lead single from his upcoming 4th album rEVOLVEr. Cameos from Rick Ross, Flo Rida, One Chance, Sophia Fresh, Bow wow, Tay Dizm, Pitbull, Sophia Del Carmen, Mistah Fab, Maino, Lil Twist, Gudda Gudda & Mack Maine and more… Directed by T-Pain & Todd Angkasuwan. Produced by Young Fyre

A hilarious music video featuring some of your favorite or perhaps not-so-favorite Star Wars characters like you’ve never seen them before. IMPORTANT NOTE: This video is not mine, and I do not take any credit for it. Here are the lyrics (although please note that they are not absolutely correct, as I do not have confirmation from the artists). Admiral: This is Admiral Biatch to base camp, it seems the stormtroopers have gone on strike and I have no experience with this type of shit. Who should I call for help? Vader: It’s the V to the A to the DER (Vader!) Reconstructin’ the Death Star! With my slick suede suit that’s black like tar, Fucking you up no matter who you are! Palpatine: Tell them motherfuckers ’bout this here Dark Side! Pull up on your planet, Death Star drive-by! And we’ll beat the Rebels ’cause their skills ain’t shit! Vader: And in my TIE Fighter, Zig-zags stay lit! Yoda: Oh, shit! Yoda on the scene, 900 year fiend smoking Dagobah green! Bitches on my tip, like Lando on liquor. Lando: Ah, you’re just jealous ’cause my black dick’s thicker. Chewbacca: *Wookie yell* Lando: Yo! Tell ‘em Chewie, last night I had Leia all drunk wanting to do me. Luke: Shut the fuck up man! Leia’s my sister! The only thing you’re getting is a beat-off blister. Ben Kenobi: Luke! Use the force before intercourse, but Luke! Don’t forget! Bitches ain’t nothing but hos and tricks! (Ohh!) Luke: Obi-Wan, I’m the top gun! (top gun) The chosen one, hotter than both suns! Vader ain’t shit
Video Rating: 4 / 5

SONG BIRD HARMONIA

A few nice create your own song images I found:

SONG BIRD HARMONIA
create your own song

Image by rafeejewell
Second Life holiday parties was an incredible mix of trance, dnb, electronica, dark psy, goa, minimal, proggy, acid, experimental, industrial, noize, tribal, jazz, live music, country, blues, reggae, salsa, classical, opera, and Christmas music. I heard it all and then some.

I love music of all kinds. If it’s good, it’s worth listening to, so don’t start with the nose-up-in-the-air over your favorite genre. Believe me… good music will always find an audience. An audience of sophisticated listeners will stop to listen to any good sound… even if it isn’t part of your normal repertoire.

What is amazing is that dj’s and musicians around the world know this, and they borrow from all genres to create their own personal sounds.

Here in Second Life, we get the results from around the world. World music mixes with the trendy sounds of the day, and we get the sounds that we love so much.

I want to thank all the dj’s, musicians, club owners and event makers in SL. You guys made a holiday scene like no other. APPLAUSE & BRAVO ::::

Special thanks to you <3:

Dance Island
Organica
Divaz
Musik Hauz
DeRailed
Piranha
BassLine Island
Electro Smog
alt7
MMAC
GiveMeSpace
Underground Artists
Home
Club Neptune
Sphynx Jazz Club
Kromatic
8Wall’s Place
United Beats
Odessa
ArtHole
Steam Punk Airship
Electro Violence
Ibiza the Island
Rancho Brasil
The Laundry
Phatland
Asagao Treasures
Seat
DC-10
Casablanca Hotel
R.A.R.E.
Club Enigma
Jade’s Jazz Island
Instyle Fashion Agency
Grafton Mall
S&S Gallery
2nd Zone

… and kisses to ::
Xavier
Aosh
Ronnie
Stig
Mackenzie
Lou
Leo
Professor
Grease
Hallow
Jas
Nos
Thomm
Finny
Renanyoy
Daemon
Donna
Deirdre
IPR365
Pan
Arora
8Wall
Space
Qee
Shad
Healer
Queen
Digi
Stefan
Jen
Max
Xavier
Zod
Tina
Melt
WET
Sully
Sylvain
Alb
Web

Without you guys, the party scene would be dull indeed!
<3 <3 <3
2009… here we goooooo!

Sparrow
create your own song

Image by ~Brenda-Starr~
Created for this weeks Feathery Friday. theme, Raise Your Voice.

Original image thanks to Alan Vernon.
Texture 1 and texture 2 are my own.

B l a c k M a g i c

**This is my art work, not your free stock resource. Please respect my license.
If posting to your website or bog, please credit me as the artist.**

k’naan song call (My God) Live at BB King feat Mos Def

k’naan and mos def watch this incredible performer edit: all credits goes to k’naan and mos def check out the websites www.thedustyfoot.com www.directcurrentmedia.com www.myspace.com/knaanmusic www.mosdefmusic.com www.myspace.com if you want to listen to k’naan his whole album here is the website www.indie911.com
Video Rating: 4 / 5

PARKWAY DRIVE – SET TO DESTROY (NEW SONG)

PARKWAY DRIVE – SET TO DESTROY OFFICIAL NEW SONG FROM DEEP BLUE! 1. Samsara 2. Unrest 3. Sleepwalker 4. Wreckage 5. Deadweight 6. Alone 7. Pressures 8. Deliver Me 9. Karma 10. Home Is For The Heartless 11. Hollow 12. Leviathan I 13. Set To Destroy

PARKWAY DRIVE – HOLLOW (NEW SONG)

PARKWAY DRIVE – HOLLOW OFFICIAL NEW SONG FROM DEEP BLUE! 1. Samsara 2. Unrest 3. Sleepwalker 4. Wreckage 5. Deadweight 6. Alone 7. Pressures 8. Deliver Me 9. Karma 10. Home Is For The Heartless 11. Hollow 12. Leviathan I 13. Set To Destroy
Video Rating: 4 / 5

Nice Create Your Own Song photos

Some cool create your own song images:

Lyrical Time Wastr – Hotel California
create your own song

Image by jah~ back, not 100%
Eagles – Hotel California – 1976

A Lyrical Time Wastr created with fd’s Flickr Toys.

Aggregation Presentation: My So Called Glu’d Life
create your own song

Image by Looking For Fish Tacos At ELI 2006
The old song RipMixLearn still sounds good, but we can now be thinking along with that about how tcontene built from content elsewhere (aggregation via RSS feeds) is viewed. There are different needs and reasons for going Inward or Outward in your aggregating.

Key questions:

* What are some ways of collecting the small pieces into useful packages?
* What are the key considerations in aggregation and representation?
* How do the current available tools stack up?
* What are advantages/pitfalls of relying on this site versus hosting it iin your own web site?

Sniff Some Glu
* Content related to this presentation elifishtacos.suprglu.com/
* Alan’s Glu cogdog.suprglu.com/
* Brian’s Glu abject.suprglu.com/
* Jay’s (Cross) Eclectic Interests jaycross.suprglu.com/

Glu It Yourself
Stephen Downes prefers not relying on the Suprglu site, so he rolled (and shares) his own code to create MyGlu,a similar service you can integrate into your own site.

Blog posts:

* CogDogBlog: Inward / Outward Aggregating (RipMix Fever) And That Fresh Smell of Ajax and RSS Mixers
* Abject Learning: Small pieces more loosely joined… musings from the fog

Some tools

* SuprGlu
* MyGlu
* Tagging as Authoring Demo
* Netvibes
* Google Personal Home
* Spliced feeds republished via javascript. Example – the Textologies resource page

See more examples and resources in the glu tag stream.

Image Credits: Mock-up of SciFi book cover created by Alan Levine, derived from Creative Commons licensed flickr image by Chuck and Vicki Rogers

«« Back: Radio Free Blog Now Syndicating and Receiving

Boy on a String
create your own song

Image by The Doctr
The marionetter has your number
Pulling your arms and legs till you can’t stand on your own
Dragging your conscience on the stage
And your heart gets rearranged
And you cannot tell your mentor from your maker
Look at the crowds bleeding with laughter
Over the way you entertain at beckon call
They don’t see behind the lights or the painted backgrounds
They just like to see you fall

I feel a sadness like Gapetto
Watching the life that he created run away
Seeing the puppeteers intrusion,
And holding the remains of puppets that had rotted away
One day the curtain will not open
And all of the crowds will go away
Someday those strings will choke you, but until that day

Well you won’t really mind
And you’re just wasting time
You don’t feel anything
You’re a boy on a string
– Boy on a String by Jars of Clay
listen

This is the most GIMPing I’ve ever done. I kinda like the freaky, circusy, whacked out (TRP) look that it ended up with.

The inspiration for this photo was definitely the words to the above song. There was a situation with one of my patients and their family last week that was utterly heartbreaking. The verse about Gapetto really applied to that situation. I can’t give any more details due to patient confidentiality, but know that it certainly impacted me last week and I thought doing this shot may help with my personal coping process.

Stage Background by Fuzzy Gerdes